LIVE Schedule: March 4, 11, 18, 25 • 4:00 pm PT / 7:00 pm ET
Each session will be available on-demand the day following the LIVE presentation.
In February 2026, we talked about how we can refine and improve our in field techniques. Now it is time to go a level deeper into the ways we can specialize our techniques. Each one of these seminars was carefully selected and developed based on the area photographers like you want to experience growth, try new ways of photographing the landscape, or completely learn a new technique
The series stars with Nature Photography Academy founder, Meredith Fontana to lead us on an incredible journey in how you can go From Map to Masterpiece: Digital Scouting Tools for Photographers. This seminar will have tools you can use in the field, from your home, ahead of time, in the moment, and everywhere in between. We guarantee you will learn some revolutionary tools you didn't even know about before that will immediately improve your work.
Following Meredith, will be our man from another land, Murray Livingston. Murray splits his time between Scotland and South Africa and this diversity of landscape has shaped how he uses filters for Long Exposure & Intentional Camera Movement (ICM) images. This is how to pre visualize an image and how it will change when these techniques are applied but it is also about how to make real time adjustments that communicate with impact.
Our third talk will come from the night photography master himself, Joshua Cripps. From full moon to milky way and eclipse images, Josh's work stands out but that is not by chance. Over decades he has developed distinctive approaches to the night that he looks forward to sharing with you. This is the perfect seminar for anyone wanting to learn new ways to photograph the night sky.
Our final talk will be with Nature Photography Collective's lead instructor, Nathan St Andre. All of us have hundreds of images where everything was right but we missed one variable. Exposure. Maybe we were trying to protect our highlights and under exposed an image. Or we were in a dynamic lighting situation and wanted to bracket but did not get that right. Or we wanted to print an image but did not get it correctly to be able to retain the detail. Regardless of the reason or the season this talk on Fieldcraft Best Practices for Perfect Exposures is for you.